There’s no way to miss Jimmy Woods’ food truck when it passes you on the road. It’s painted in a swirl of bright pastels and screams GET DELICIOUS FISH TACOS HERE! But Jimmy cooks up so much more than succulent and perfectly season Mahi on the griddle inside. There’s a mission. A ministry. A message. And it has everything to do with addiction.

Come along for a special ride as a Pittsburgh man whose alcoholism and drug abuse nearly cost him his life more times than he can count changes course… and offers a safe place for recovering addicts to work and to heal. A place where others struggling with addiction can come for support and food for their soul.

Shay8.jpg

Every since I was little I always have loved to make crafts. Throughout the years I have created one of a kind pieces for family members and friends. I decided that I would start selling my pieces and see what Etsy shoppers think of them.

Shay1.jpg

Blush fake flowers, Shadowbox, Floral paper, Sparkly paper, Paris lettering, Eiffel tower cutout
Description

This shadowbox is perfect for anyone that loves Paris and Paris themed art! It is made with the perfect shades of blush and it will brighten up any room. It is perfect to buy for your home or it also will make a great gift! This is a 8 by 10 shadowbox. Message me with any questions or if you would like it to be personalized.

Shay2.jpg

Fake red roses, Beauty and the Beast printable, gold and blue paper, Castle cut out, Paintpen
Description

Calling all Beauty and the Beast fans!!! This handmade shadowbox will be perfect to hang on any Disney Lover’s wall. It is also the perfect gift for someone as well. This is a 8 by 10 shadowbox. If you have any questions or want it to be personalized message me.

Shay6.jpg

shadowbox, purple lace ribbon, dried flowers, heart template, pastel blue paint pen
Description

This shadow box art is perfect for a wedding gift or anniversary gift. It is designed with an assortment of dried flowers in the shape of a heart. Feel free to message me with any questions you may have.

Shay4.jpg

Shadowbox, Blue background paper, stickers, wooden letters
Description

This shadow box is a great Fathers Day gift or it can be given for your Dad’s birthday or it will be a nice gift just to make your dad feel special! ( This is a 8 by 10 shadow box)

Shay7.jpgShadowbox, Blue background paper, stickers, wooden letters
Description

This shadow box is a great Fathers Day gift or it can be given for your Dad’s birthday or it will be a nice gift just to make your dad feel special! ( This is a 8 by 10 shadow box) Shay3.jpg

Scented oils, Dried flowers, Glass Mason Jar
Description

This potpourri comes in a glass mason jar,it will be perfect to put on your table as a centerpiece. It also has a great scent to it as well.

You May Place Your Order Here:

Shayna’s Etsy Floral Shop

Contact Shayna for any Questions or Specific Design Requests at:

shaynalapunim@gmail.com

Thank you Tienko for connecting the past to the Present and Future. It has been a real honor to have you in our lives…..I look forward to continued common work together for the benefit of all.

Boddhi2.pngBoddhi3.png

Source reference for biography below:
http://www.buddhanet.net/e-learning/history/bodhidharma.htm

Bodhidharma is revered as the father of Ch’an and Zen Buddhism. Most of us involved in Ch’an, Zen or Buddhism know that the word Ch’an is a rendition of the Pali word Jhana, which means meditation. Similarly, we know that the Japanese word Zen is a rendition of the Chinese word Ch’an. Buddhists and Orientologists are aware that the Ch’an/Zen texts hold that an Indian Monk named Bodhidharma is attributed to be the founder of Ch’an and therefore Zen. There have been various theories presented on Bodhidharma by the academicians or Orientologists who study the Ch’an/Zen branch of Buddhism. However, these are arbitrary.
After years of studying Ch’an/Zen, the authors of this excerpt are presenting a different and radical perspective. This work does not place emphasis on merely the historicity of Bodhidharma [Ta Mo in Chinese and Daruma Daishi in Japanese]. Instead this work emphasizes on the metaphysical sense of the said propounder of Ch’an or Zen Buddhism.

Boddhi4.png

If one travels to Asia, that is, China or Japan, one might notice that the Ch’an or Zen Masters of the ancient past, and especially Bodhidharma, are revered as Divinities. This is because within the apparently simplistic texts of the Ch’an or Zen there is an Esoteric aspect that preserves for posterity the metaphysics of Ch’an or Zen. However, the contemporary world of Buddhist scholars did not realize this and could not understand why the Ch’an/Zen followers approached Bodhidharma as a Buddha or Divinity.

In accordance with this Esotericism was the culture and practice of Ch’an/Zen. However, in the wake of contemporary culturing even the Chinese, Japanese and Koreans adopted the so-called rational approach to the practice of Ch’an/Zen and therefore abandoned their traditional approach. In the wake of this attitude the Kung-an/Koan’s of Ch’an/Zen are interpreted as verses that one cannot not grasp intellectually. However, this view is based on an error in reading the texts.

To understand this, let us scrutinize an early Chinese text on the propounder of Ch’an and therefore Zen. This will lead us to understand that innately in these texts are esoteric notions of Ch’an/Zen Buddhism and they offer reasons as to why the non-Westernized cultures have a variant approach to Bodhidharma to the West.

Boddhi4.png

The earliest narrative on Bodhidharma, though apparently brief, is presented in a Chinese work that is offering a description of the forty-five temple monasteries of Lo-Yang. Apparently a Chinese monk known as Yang Hsuan-chih is presented meeting Bodhidharma who originated from the Western Region, who was a hundred and fifty years of age, in the temple of Yung-ning-ssu [Japanese, Einei-ji]. This narrative of the Yung-ning-ssu, as part of the Lo-Yang temple narrative, is in fact a remarkable record on the reconciliation of philosophies by the Chinese tradition. In fact, the Chinese tradition not only reconciled the differences between the ancient Chinese philosophy of Taoism and the later philosophies of Buddhism as the Sarvastivada and Mahayana, but also offered a solution to explain the differences between these philosophies. Unfortunately, due to the lack of understanding of the language of the ancient, religious philosophies, the Lo-Yang or Yung-ning-ssu narrative could never be appreciated by the contemporary world of scholars and also Buddhists. Though the Lo-Yang or Yung-ning-ssu narrative is a remarkable record on Chinese philosophy, we will instead focus on the philosophy and history of Ch’an or Zen Buddhism that is centered around Bodhidharma.
The name Bodhidharma is composed of two Sanskrit words. The word Bodhi refers to the Ch’an/Zen Buddhists’ definition of the Ultimate Reality as this Mind-All Reality, which is to them the Buddha Nature. Dharma is a Sanskrit word that equates with Tao. However when both words are read together, Bodhidharma would mean the Propensity of the Mind or Bodhi Essence. In simple words, the Ch’an/Zen records also carry within their narratives a metaphysical sense or meaning of Buddhism. In this sense, Bodhidharma can be read as denoting the Ch’an or Zen Ontology. In fact, the modern world of scholarship is unaware that Ch’an/Zen is not devoid of philosophy and metaphysics but that its praxis does not dwell on it. To understand this, let us interpret a portion of the Lo-Yang or Yung-ning-ssu excerpt that is relevant to Bodhidharma or Ta Mo [Chinese] and Daruma Daishi [Japanese].

“In those days there was a Shramana Bodhidharma from the Western Regions, originally a man from Persia [?]. He came from rugged countries and was staying in the Middle Land. When he beheld how the golden dome sparkled in the sun, how its light reflected upon the surfaces of the clouds, how the precious bell housed the wind within itself and how its voice rang beyond the heavens, he sang a hymn of praise, ‘Truly how wonderful it all is!’ He said that he was one hundred and fifty years old and had traveled all countries and visited all regions, but that nothing in Jambudvipa was comparable with the beauty of this temple, that it surprassed all others, and that there was nothing like it anywhere. With hands clasped, he daily invoked devotedly the name of Buddha.”

[“Zen Buddhism: A history of India and China” by Heinrich Dumoulin].

Thus, let us focus on the metaphysical sense of the above phrase, “In those days there was the Shramana Bodhidharma from the Western Regions.” This phrase merely means that the Mind or Bodhi Essence or Buddha Nature, or metaphysically Bodhidharma, originates from the West. This phrase also reveals that this excerpt belongs to the Chinese Immanentists, who are accounting for the interrelationship between the Transcendentalists and themselves in the above excerpt. The translator of this text then interprets Bodhidharma as being “originally a Man from Persia [?].” The Chinese word that Buddhology interprets as Persia only suggests the extreme west of the Chinese metaphysical premise, figuratively to the west of India [The Chinese upheld an integral system of philosophy.] Thus, the reason for the text to highlight that Bodhidharma originates from the extreme West is to emphasize on the Purity of the Mind or Bodhi Essence or Buddha Nature. [After the Solar Dissolution only the Buddha Nature remains]. Then follows the phrase: “He came from rugged countries and was staying in the Middle Land.” This of course means that since the Solar Dissolution occurs in the “West,” this is a rugged or harsh country; therefore, Bodhidharma was residing in the Middle Land or the point at which the Absolute Buddha Mind is imperishable in the advent of the Solar or Grand Dissolution. The term “Middle Land” also implies that the metaphysical notion of Bodhidharma reflects the World reality. This contrasts with the notion of Cosmic metamorphosis of the Transcendentalists. Then Bodhidharma sang a hymn of praise, “When he beheld how the golden dome sparkled in the sun, how its light reflected upon the surfaces of the clouds, how the precious bell housed the wind within itself and how its voice rang beyond the heavens.” This hymn means that the upper realm or reality which is the Pure Mind Essence, or figuratively the golden dome of the temple, was in harmony with the Karmic forces of Creation or Manifestation, or figuratively the Sun, and the illumination of the golden dome or the Pure Mind Essence reflected Sentiency, or figuratively “its light reflected upon the surfaces of the clouds.” The verse that follows is in fact uniquely Ch’an or Zen. This verse says: “how the precious bell housed the wind within itself and how its voice rang beyond the heavens.” In Ch’an or Zen, the Bodhi or Mind or Buddha Nature is not an extraneous transcendental concept; the Bodhi Mind or Buddha Nature is an IMMANENT REALITY. In simple words, this very self and the mundane world are not mundane at all but have all the qualities of transcendence, only our conditioning leads us to believe that this world and the self are mundane. Since the Bodhi or Buddha Nature is immanent, and the very self is sublime, the belief that there is Manifestation and Dissolution is invalid, as all is Bodhi or Buddha Nature. It is for this reason that the verse says, “how the precious bell housed the wind within itself and how its voice rang beyond the heavens.” In other words, the “precious bell” or the Manifestive Cosmic Sound “houses” or contains “the wind” or Prana or Primordial Cosmic Breath that triggers Cosmic Manifestation or Genesis. Thus, the Ch’an or Zen philosophy does not believe in a transcendental Bodhi or Buddha Being that causes the notion of Creation and Dissolution. It only believes that the immanent Bodhi Reality in its conditioned or “mundane state,” so to speak, ideates this world of experience or Reality. Thus in its true state, the Bodhi or Buddha Nature contains or “houses the wind within itself.” The parallel of this is the following verse from the “Blue Cliff Records”:

“A pure wind invites the universe
where will it find an end?”
[Bi-Yan-Lu 1,44]

ln fact, before Ch’an or Zen, the belief was that the Cosmic Breath “gave the initial stir” within the Cosmic Absolute, after the occurrence of Primordial thought or Logos, to propel Genesis. However, the Ch’an or Zen tradition, which believes in the Bodhi or Buddha Nature as an immanent reality, maintains that the Primordial Prana or Cosmic Breath or Wind does not emanate. The Emanation that we believe occurs is merely an experience of our conditioned, Karmic minds. Thus all there ever was and will be is the Bodhi or Buddha Nature. This Bodhi or Buddha Nature is Esoterically termed as Bodhidharma by these metaphysical records of Ch’an/Zen. Thus, the text says that Bodhidharma beheld “how the precious bell housed the wind within itself and how its voice rang beyond the heavens.” The phrase, “its voice rang beyond the heavens” means that this Cosmic Sound that triggers Creation [according to all schools of religio-philosophy] occurs in the Void or Sunya [in Buddhism and Ch’an/Zen]. In other words, since the Bodhi or Buddha Nature is an immanent reality, this “ringing” or Manifestation does not unfurl but occurs. This takes Ch’an or Zen to the understanding that the Bodhi or Buddha Nature is immanent. In simple words, we in a sense do not at all manifest but in actuality exist in the Bodhi or Buddha realm, only our Karmic conditioning makes us believe that we are in a manifested, mundane world.

Then the text states that Bodhidharma “had traveled all countries and visited all regions, but that nothing in Jambudvipa was comparable with the beauty of this temple, that it surpassed all others, and that there was nothing like it anywhere.” This statement means that the text is aware of “all countries” or philosophical premises and “all regions” or all the three realms or realities of the Mahayana Buddhists, that is, Dharma-kaya, Samhhoga-kaya, and Nirmana-kaya. However, nothing in Jambudvipa was comparable with the beauty of this Temple or Ontological Reality. In other words, the Ch’an or Zen philosophy believes that the Bodhi or Buddha Nature is immanent and this far surpasses in “sublimity” even the philosophical premises of the Transcendentalists. It also surpasses the philosophy of the Realists and Idealists that is jargonically referred to in the text as Jambudvipa or, hyper-jargonically, India. It is this Immanent Bodhi Reality that Bodhidharma saw in this temple and since he is in fact one with the temple, “With hands clasped, he daily invoked devotedly the name of Buddha.”

Thus, the above Lo-Yang or Yung-ning-ssu narrative had all along contained the entire seeds of Ch’an/Zen philosophy, which was beyond the understanding of the contemporary world of Buddhologists. Since Buddhologists contend that the Lo-Yang or Yung-ning-ssu [Japanese, Einei-ji] record is at least as early as the 547 AD era, the history and also the philosophy of Ch’an/Zen has to be rewritten.

In fact, the realization that the Bodhi or Buddha Nature is an immanent reality, and the idea that the Manifestation and Dissolution of the Cosmos is merely an assumption of our conditioned minds, led to the pronouncement of the now famous four-line eulogy on Ch’an or Zen:

“A special transmission outside the scriptures,

Not founded upon words and letters;
By pointing directly to Mind.
It lets one see into nature and attain Buddhahood.”

Boddhi1.png

Indeed, it is a special transmission outside the scriptures [Taoism, Vedism, Sarvastivada, and Mahayana]. Of course since the Ch’an or Zen tradition believes in an Immanent Bodhi or Buddha Reality and therefore not an externalized manifestation or materialisation of the Cosmic principle of Sound, the tribute,”Not founded upon words and letters” is apt. Since the Bodhi or Buddha Reality is immanent, one only needs to point directly to this Bodhi or Buddha Mind or, simply, Mind and it leads one into its nature to attain Buddhahood.